Контрапункт
Контрапункт (punctus contra punctum, „точка против точка“) во музиката е односот помеѓу две или повеќе музички регистри, кои се независни како контури и ритам, но тие се хармонично меѓузависни (полифонии).
Контрапункт најчесто се поврзува со класичната музика, развивајќи се за време на ренесансата а особено за време на барокот..
Во музичката наука - наука за истовремено движење на неколку независни гласови, кои формираат хармонична целина. Типични форми на контрапункт се фугата и канонот.
Литература
- Kurth, Ernst (1991). "Foundations of Linear Counterpoint". In Ernst Kurth: Selected Writings, selected and translated by Lee Allen Rothfarb, foreword by Ian Bent, p. 37–95. Cambridge Studies in Music Theory and Analysis 2. Cambridge and New York: Cambridge University Press. Paperback reprint 2006. ISBN 0-521-35522-2 (cloth); ISBN 0-521-02824-8 (pbk)
- Mazzola, Guerino, et al.Full citation needed|date=September 2018 "Et al. is used only in inline citations when there are more than four authors; a bibliographical entry should list them all.--> (2015). Computational Counterpoint Worlds. Heidelberg: Springer.ISBN needed|date=September 2018
- Prout, Ebenezer (1890). Counterpoint: Strict and Free. London: Augener & Co.
- Spalding, Walter Raymond (1904). Tonal Counterpoint: Studies in Part-writing. Boston, New York: A. P. Schmidt.
Наводи
Надворешни врски
- An explanation and teach yourself method for Species Counterpoint
- An Introduction to Species Counterpoint
- ntoll.org: Species Counterpoint by Nicholas H. Tollervey
- Principles of Counterpoint by Alan Belkin
- Orima: The History of Experimental Music in Northern California: On Dissonant Counterpoint by David Nicholls from his American Experimental Music: 1890–1940
- Virginia Tech Multimedia Music Dictionary: Dissonant counterpoint examples and definition
- De-Mystifying Tonal Counterpoint or How to Overcome Your Fear of Composing Counterpoint Exercises by Christopher Dylan Bailey, composer at Columbia University
- Counterpointer:Software tutorial for the study of counterpoint by Jeffrey Evans
- "Bach as Contrapuntist" by Dan Brown, music critic from Cornell University, from his web book Why Bach?
- "contrapuntal—a collaborative arts project by Benjamin Skepper"
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