| Mellor filme | Mellor director |
| | |
| Mellor actor | Mellor actriz |
| | |
| Mellor actor secundario | Mellor actriz secundaria |
| | |
| Mellor guión orixinal | Mellor guión |
- Marty – Paddy Chayefsky
- A conspiración do silencio – Millard Kaufman
- Blackboard Jungle – Richard Brooks
- Ó leste do Edén – Paul Osborn
- Love Me or Leave Me – Daniel Fuchs e Isobel Lennart
| - Interrupted Melody – William Ludwig e Sonya Levien
- The Court-Martial of Billy Mitchell – Milton Sperling e Emmet Lavery
- It's Always Fair Weather – Betty Comden e Adolph Green
- As vacacións de Mr. Hulot – Jacques Tati e Henri Marquet
- The Seven Little Foys – Melville Shavelson e Jack Rose
|
| Mellor argumento | Mellor curtametraxe de animación |
- Love Me or Leave Me – Daniel Fuchs
- The Private War of Major Benson – Joe Connelly e Bob Mosher
- Rebelde sen causa – Nicholas Ray
- Strategic Air Command – Beirne Lay, Jr.
- Le mouton à cinq pattes – Jean Marsan, Henri Troyat, Jacques Perret, Henri Verneuil e Raoul Ploquin
| - Speedy Gonzales
- Good Will to Men
- The Legend of Rockabye Point
- No Hunting
|
| Mellor documental | Mellor curtametraxe documental |
- Helen Keller in Her Story
| - Men Against the Arctic - Walt Disney
- The Battle of Gettysburg
- The Face of Lincoln
|
| Mellor curtametraxe de ficción, un rolo | Mellor curtametraxe de ficción, dous rolos |
- Survival City – Edmund Reek
- 3rd Ave. El – Carson Davidson
- Gadgets Galore – Robert Youngson
- Three Kisses – Justin Herman
| - The Face of Lincoln
- The Battle of Gettysburg
- On The Twelfth Day
- Switzerland
- 24-Hour Alert
|
| Mellor banda sonora, comedia ou drama | Mellor banda sonora, musical |
- Love Is a Many-Splendored Thing – Alfred Newman
- Battle Cry – Max Steiner
- The Man with the Golden Arm – Elmer Bernstein
- Picnic – George Duning
- The Rose Tattoo – Alex North
| - Oklahoma! – Robert Russell Bennett, Jay Blackton e Adolph Deutsch
- Papá pernas longas – Alfred Newman
- Eles e elas – Jay Blackton e Cyril J. Mockridge
- It's Always Fair Weather – André Previn
- Love Me or Leave Me – Percy Faith e George Stoll
|
| Mellor canción | Mellor son |
- "Love Is a Many-Splendored Thing" de Love Is a Many-Splendored Thing – Música de Sammy Fain; Letra de Paul Francis Webster
- "I'll Never Stop Loving You" de Love Me or Leave Me – Música de Nicholas Brodszky; Letra de Sammy Cahn
- "Something's Gotta Give" de Papá pernas longas – Música e letra de Johnny Mercer
- "The Tender Trap" de The Tender Trap – Música de James Van Heusen; Letra de Sammy Cahn
- "Unchained Melody" de Unchained – Música de Alex North; Letra de Hy Zaret
| - Oklahoma! – Fred Hynes, Todd-AO Sound Department
- Love Is a Many-Splendored Thing – Carlton W. Faulkner, Twentieth Century-Fox Studio Sound Department
- Love Me or Leave Me – Wesley C. Miller, MGM Studio Sound Department
- Mister Roberts – William A. Mueller, Warner Bros. Studio Sound Department
- Not as a Stranger – Watson Jones, RCA Sound Department
|
| Mellor dirección de arte, branco e negro | Mellor dirección de arte, cor |
- The Rose Tattoo – Dirección artística: Hal Pereira e Tambi Larsen; Decorados: Sam Comer e Arthur Krams
- Blackboard Jungle – Dirección artística: Cedric Gibbons e Randall Duell; Decorados: Edwin B. Willis e Henry Grace
- I'll Cry Tomorrow – Dirección artística: Cedric Gibbons e Malcolm Brown; Decorados: Edwin B. Willis e Hugh B. Hunt
- The Man with the Golden Arm – Dirección artística: Joseph C. Wright; Decorados: Darrell Silvera
- Marty – Dirección artística: Edward S. Haworth e Walter Simonds; Decorados: Robert Priestley
| - Picnic – Dirección artística: William Flannery e Jo Mielziner; Decorados: Robert Priestley
- Papá pernas longas – Dirección artística: Lyle Wheeler e John DeCuir; Decorados: Walter M. Scott e Paul S. Fox
- Eles e elas – Dirección artística: Oliver Smith e Joseph C. Wright; Decorados: Howard Bristol
- Love Is a Many-Splendored Thing – Dirección artística: Lyle Wheeler e George Davis; Decorados: Walter M. Scott e Jack Stubbs
- To Catch a Thief – Dirección artística: Hal Pereira e Joseph McMillan Johnson; Decorados: Sam Comer e Arthur Krams
|
| Mellor fotografía, branco e negro | Mellor fotografía, cor |
- The Rose Tattoo – James Wong Howe
- Blackboard Jungle – Russell Harlan
- I'll Cry Tomorrow – Arthur E. Arling
- Marty – Joseph LaShelle
- Abella raíña – Charles Lang
| - To Catch a Thief – Robert Burks
- Love Is a Many-Splendored Thing – Leon Shamroy
- Eles e elas – Harry Stradling
- A Man Called Peter – Harold Lipstein
- Oklahoma! – Robert L. Surtees
|
| Mellor vestiario, branco e negro | Mellor vestiario, cor |
- I'll Cry Tomorrow – Helen Rose
- The Pickwick Papers – Beatrice Dawson
- Abella raíña – Jean Louis
- The Rose Tattoo – Edith Head
- Ugetsu Monogatari – Tadaoto Kainosho
| - Love Is a Many-Splendored Thing – Charles LeMaire
- Interrupted Melody – Helen Rose
- Eles e elas – Irene Sharaff
- To Catch a Thief – Edith Head
- The Virgin Queen – Charles LeMaire e Mary Wills
|
| Mellor montaxe | Mellores efectos visuais |
- Picnic – Charles Nelson e William A. Lyon
- Blackboard Jungle – Ferris Webster
- The Bridges at Toko-Ri – Alma Macrorie
- Oklahoma! – Gene Ruggiero e George Boemler
- The Rose Tattoo – Warren Low
| - The Bridges at Toko-Ri
- The Dam Busters
- The Rains of Ranchipur
|
