Mellor filme | Mellor director |
| |
Mellor actor | Mellor actriz |
| |
Mellor actor secundario | Mellor actriz secundaria |
| |
Mellor argumento e guión | Mellor guión |
- Battleground – Robert Pirosh
| |
Mellor argumento | Mellor curtametraxe de animación |
- The Stratton Story – Douglas Morrow
- Sands of Iwo Jima – Harry Brown
- White Heat – Virginia Kellogg
- Come to the Stable – Clare Boothe Luce
- It Happens Every Spring – Shirley W. Smith e Valentine Davies
| - For Scent-imental Reasons
Canary Row (candidatura revogada) - Hatch Up Your Troubles
- The Magic Fluke
- Toy Tinkers
|
Mellor documental | Mellor curtametraxe documental |
| - A Chance to Live
- So Much for So Little
|
Mellor curtametraxe de ficción, un rolo | Mellor curtametraxe de ficción, dous rolos |
- Aquatic House Party – Jack Eaton
- Roller Derby Girl – Justin Herman
- So You Think You're Not Guilty – Gordon Hollingshead
- Spills and Chills – Walton C. Ament
- Water Trix – Pete Smith
| - Van Gogh – Gaston Diehl e Robert Hessens
- The Boy and the Eagle – William Lasky
- Chase of Death – Irving Allen
- The Grass Is Always Greener – Gordon Hollingshead
- Snow Carnival – Gordon Hollingshead
|
Mellor banda sonora, comedia ou drama | Mellor banda sonora, musical |
| - On the Town – Roger Edens e Lennie Hayton
- Look for the Silver Lining – Ray Heindorf
- Jolson Sings Again – Morris Stoloff e George Duning
|
Mellor canción | Mellor son |
- "Baby, It's Cold Outside" de Neptune's Daughter – Música e letra de Frank Loesser
- "It's a Great Feeling" de It's a Great Feeling – Música de Jule Styne; Letra de Sammy Cahn
- "Lavender Blue" de So Dear to My Heart – Música de Eliot Daniel; Letra de Larry Morey
- "My Foolish Heart" de My Foolish Heart – Música de Victor Young; Letra de Ned Washington
- "Through a Long and Sleepless Night" de Come to the Stable – Música de Alfred Newman; Letra de Mack Gordon
| - Twelve O'Clock High – Thomas T. Moulton, Twentieth Century-Fox Studio Sound Department
- Sands of Iwo Jima – Daniel J. Bloomberg, Republic Studio Sound Department
- Once More, My Darling – Leslie I. Carey, Universal-International Studio Sound Department
|
Mellor dirección de arte, branco e negro | Mellor dirección de arte, cor |
- The Heiress – Dirección artística: John Meehan e Harry Horner; Decorados: Emile Kuri
- Madame Bovary – Dirección artística: Cedric Gibbons e Jack Martin Smith; Decorados: Edwin B. Willis e Richard A. Pefferle
- Come to the Stable – Dirección artística: Lyle Wheeler e Joseph C. Wright; Decorados: Thomas Little e Paul S. Fox
| - Mulleriñas – Dirección artística: Cedric Gibbons e Paul Groesse; Decorados: Edwin B. Willis e Jack D. Moore
- Adventures of Don Juan – Dirección artística: Edward Carrere; Decorados: Lyle Reifsnider
- Saraband for Dead Lovers – Dirección artística e decorados: Jim Morahan, William Kellner e Michael Relph
|
Mellor fotografía, branco e negro | Mellor fotografía, cor |
- Battleground – Paul C. Vogel
- Come to the Stable – Joseph LaShelle
- Champion – Franz Planer
- Prince of Foxes – Leon Shamroy
- The Heiress – Leo Tover
| - A lexión invencible – Winton Hoch
- Sand – Charles G. Clarke
- Mulleriñas – Robert Planck e Charles Schoenbaum
- Jolson Sings Again – William Snyder
- The Barkleys of Broadway – Harry Stradling
|
Mellor vestiario, branco e negro | Mellor vestiario, cor |
- The Heiress – Edith Head e Gile Steele
- Prince of Foxes – Vittorio Nino Novarese
| - Adventures of Don Juan – Leah Rhodes, Travilla e Marjorie Best
- Mother Is a Freshman – Kay Nelson
|
Mellor montaxe | Mellores efectos visuais |
- Champion – Harry Gerstad
- Battleground – John Dunning
- The Window – Frederic Knudtson
- All the King's Men – Robert Parrish e Al Clark
- Sands of Iwo Jima – Richard L. Van Enger
| - Mighty Joe Young – Arko Production; RKO Radio
- Tulsa – Walter Wagner; Eagle Lion
|