Postimpressionismus

Qui motus se gerebat adversus naturalisticam lucis colorumque tractationem quibus Impressionistae faverant. Postimpressionismus, quia proprietates abstractas resque contentas symbolicas late attingebat, neoimpressionismum, symbolismum, Cloisonnismum, Scholam Pont-Aven, et synthetismum amplectitur, cum operibus nonnullorum impressionistarum. Duces motus erant Paulus Cézanne (pater postimpressionismi appellatus), Paulus Gauguin, Vincentius van Gogh, Georgius Seurat.

Vocabulum primum adhibitum est a Rogerio Fry, pictore et critico Anglico, anno 1906, Anglice Post-Impressionism scribente. Franciscus Rutter, diurnarius et criticus Anglicus, in recognitione exhibitionis Salon d'Automne in Art News die 15 Octobris 1910 divulgata, Othon Friesz "ducem postimpressionisticum" appellavit; eodem tempore etiam erat praeconium exhibitionis The Post-Impressionists of France.

Postimpressionistae impressionismum extenderunt dum eius circumscriptiones reiciebant: coloribus autem vividis, adhibitionibus pigmentorum saepe crassorum, rebusque vitae verae iam utebantur, sed formas geometricas malle, formam ad effectum expressivum distorquere, coloresque non naturales vel adeo libidinosos adhibere magis solebant.

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  Paulus Cézanne (1839–1906)
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  Odilon Redon (1840–1916)
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  Henricus Rousseau (1844–1910)
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  Paulus Gauguin (1848–1903)
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  Vincentius van Gogh (1853–1890)
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  Carolus Angrand (1854–1926)
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  Henricus Edmundus Cross (1856–1910)
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  Maximilianus Luce (1858–1941)
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  Georgius Seurat (1859–1891)
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  Renatus Schützenberger (1860–1916)
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  Marius Borgeaud (1861–1924)
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  Carolus Laval (1862–1894)
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  Theodorus van Rysselberghe (1862–1926)
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  Paulus Signac (1863–1935)
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  Henricus de Toulouse-Lautrec (1864–1901)
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  Paulus Sérusier (1864–1927)
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  Paulus Ranson (1864–1909)
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  Georgius Lemmen (1865–1916)
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  Felix Vallotton (1865–1925)
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  Eduardus Vuillard (1868–1940)
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  Aemilius Bernard (1868–1941)
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  Mauritius Denis (1870–1943)
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  Robertus Antonius Pinchon (1886–1943)

• Aeva artis
• Cubismus
• Expressionismus
• Kapistae
• Neoimpressionismus
• Synthetismus

• Amann, Per. 1986. Postimpressionismus. Kirchdorf am Inn: Artbook International: Berghaus. ISBN 3763500987.
• Bullen, J. B. 1988. Post-impressionists in England. Routledge. ISBN 0415002168, ISBN 9780415002165.
• Donnell-Kotrozo, Carol. 1983. Critical essays on postimpressionism. Philadelphiae: Art Alliance Press, et Londinii: Associated University Presses. ISBN 0879820411.
• Elgar, F. 1977. The Post-Impressionists. Oxoniae.
• Fry, Roger, et D. MacCarthy. 1910. Manet and the Post-Impressionists. Catalogus exhibitionis. Londinii: Grafton Gals.
• Fry, Roger. 1912. The Second Post-Impressionist Exhibition. Catalogus exhibitionis. Londinii: Grafton Gals.
• House, John, et Mary Anne Stevens. 1979. Post-Impressionism. Cross-Currents in European Painting. Londinii: Royal Academy of Arts & Weidenfeld and Nicolson. ISBN 0297777130.
• Rewald, John. 1973. The history of impressionism. Ed. 4a. Novi Eboraci: Museum of Modern Art; Grenovice Connecticutae: distributed by New York Graphic Society. ISBN 0870703606
• Rewald, John. (1956), 1978. Post-Impressionism: From Van Gogh to Gauguin. Novi Eboraci.
• Rewald, John. 1986. Studies in Post-Impressionism. Ed. Irene Gordon et Frances Weitzenhoffer. Novi Eboraci: H. N. Abrams. ISBN 0810916320.
• Thomson, B. 1983, 1990. The Post-Impressionists. Editio retractata. Oxoniae et Novi Eboraci.

Vicimedia Communia plura habent quae ad tabulas postimpressionisticas spectant (Post-Impressionist paintings, Post-Impressionism).

Vicimedia Communia plura habent quae ad postimpressionismum spectant.

• Beyond Impressionism. Catalogus exhibitionis in Columbus Museum of Art, 21 Octobris 2017 – 21 Ianuarii 2018.
• Fry, Roger. Post-Impressionism. Acroasis de "Manet and the Post-Impressionists," exhibitione in Pinacotheca Graftoniana, in The Fortnightly Review.
• Georges Seurat, 1859-1891. Catalogus exhibitionis, Museum Metropolitanum Artis.
• Metropolitan Museum of Art Timeline.
• Sickert, Walter. Post-Impressionists. Recognitio "Manet and the Post-Impressionists," exhibitionis in Pinacotheca Graftoniana, in The Fortnightly Review.
• Toulouse-Lautrec in the Metropolitan Museum of Art. Catalogus exhibitionis, Museum Metropolitanum Artis.
• Young, Marnin. 2017. "Roger Fry, Walter Sickert and Post-Impressionism at the Grafton Galleries." In The Fortnightly Review.