Kị sĩ Bàn Tròn (tiếng Anh: Knights of the Round Table) là một phim cổ trang do Richard Thorpe đạo diễn, xuất phẩm ngày 22 tháng 12 năm 1953 tại Bắc Mỹ và Tây Âu, sớm trở thành một trong những tác phẩm điện ảnh đặc trưng nhất về thời đại Arthur.
Kị sĩ Bàn Tròn Knights of the Round Table | |
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Thể loại | Cổ trang, võ hiệp |
Định dạng | 4-Track Stereo Technicolor |
Kịch bản | Talbot Jennings Jan Lustig Noel Langley Sir Thomas Malory (tiểu thuyết) |
Đạo diễn | Richard Thorpe |
Chỉ đạo nghệ thuật | Alfred Junge Hans Peters |
Dẫn chuyện | Valentine Dyall |
Nhạc phim | Miklós Rózsa |
Quốc gia | Hoa Kỳ Anh |
Ngôn ngữ | Tiếng Anh |
Sản xuất | |
Nhà sản xuất | Pandro S. Berman |
Biên tập | Frank Clarke Brian Blamey |
Địa điểm | Ireland Anh |
Kỹ thuật quay phim | Stephen Dade Freddie Young |
Thời lượng | 115 phút |
Đơn vị sản xuất | Metro-Goldwyn-Mayer British Studios |
Nhà phân phối | Metro-Goldwyn-Mayer Disney Channel HBO Max Warner Home Video ClassicLine Epoca Film Score Monthly Turner Home Entertainment |
Trình chiếu | |
Quốc gia chiếu đầu tiên | Hoa Kỳ Anh |
Phát sóng | 22 tháng 12, 1953 |
Kinh phí | $2.6 triệu |
Truyện phim phỏng theo một phần tác phẩm Cái chết vua Arthur (Le Morte Darthur) của Sir Thomas Malory.
Bộ phim được quay tại Dublin, Cornwall, Devon, Hertfordshire, Buckinghamshire năm 1953.
A number of notable performers - the first two here appearing in several scenes and with several lines to speak - were uncredited. These include: Ralph Truman as King Marr of the Picts, Henry Oscar as King Mark of Cornwall, Desmond Llewelyn as a herald, and Patricia Owens as Lady Vivien. Valentine Dyall spoke the opening narration. Laurence Harvey was included as a cast member in an early edit of this article - and also on IMDb - but his participation in this film remains unconfirmed.
The film had some sequences shot near lâu đài Tintagel, Cornwall, with local people as extras. Scenes for the first battle were shot at Luttrellstown Castle Estate in Co. Dublin, Ireland. Woodland scenes and the hawking scenes were shot at Ashridge Forest, Herts. The Torquilstone Castle set designed by Alfred Junge for Ivanhoe (1952) was expanded and re-dressed as Camelot. Most of the indoor filming was at MGM-British Studios, Borehamwood, Herts.
George Sanders was originally cast as Modred but fell ill prior to shooting and was replaced by Stanley Baker, who had just made an impression in The Cruel Sea (1953).
The film was apparently shot on Eastmancolor stock, like Quentin Durward (1955), but it was advertised only as being 'in COLOR magnificence'. [See poster on Infobox above.] The film itself credits no color process. IMDb attributes the prints to Technicolor's laboratory, but it is not listed as one of the corporation's film prints in Fred E Basten's book Glorious Technicolor.
According to MGM records, the film earned $4,518,000 in the US and Canada and $3,578,000 elsewhere, resulting in a profit of $1,641,000. Rotten Tomatoes, a review aggregator, gives Knights of the Round Table reports that 67% of six surveyed critics gave the film a positive review; the average rating was 6/10.
Moreover, Kị sĩ Bàn Tròn has received mixed reviews from the majority of critics. The New York Times' Bosley Crowther found Kị sĩ Bàn Tròn to be a refreshing, enjoyable film that resembled "a spectacular, richly costumed Western film", stating that the new CinemaScope technology brought the film to life. Decent Films Guide reviewer Steven D. Greydanus gave the film a "B", stating, "a solid adaptation of the King Arthur legend, Knights of the Round Table benefits from its colorful pageantry and strongly Christian milieu, including a royal Catholic wedding and a transcendent moment of revelation involving the Holy Grail."
Hoa Kỳ
Anh
México
Uruguay
Hà Lan
Bỉ
Thụy Điển
Liên Xô
Nam Phi
Pháp
Phần Lan
Tây Đức
Thổ Nhĩ Kỳ
Áo
Tây Ban Nha
Argentina
Đan Mạch
Đông Đức
Canada
Brasil
Hungary
Ireland
Hi Lạp
Bồ Đào Nha
Tây Ban Nha
Ba Lan
Ý
România
Serbia
Nhật Bản
Singapore
Việt Nam
Kị sĩ Bàn Tròn was nominated for two Academy Awards for Best Art Direction-Set Decoration, Color (Alfred Junge, Hans Peters, John Jarvis) and Sound Recording (A. W. Watkins). It was also nominated for the Grand Prix at the 1954 Cannes Film Festival.
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