Rock and roll, dansband, roots rock, southern rock, heartland rock
Subgenuri
Bakersfield sound - Close harmony - Honky tonk - Jug band - Lubbock sound - Nashville sound - Neotraditional country - Outlaw country - Red Dirt - Western swing - Texas country
Genuri de fuziune
Alternative country - Country rock - Psychobilly - Rockabilly - Gothabilly - Cowpunk - Country-rap - Country pop - Country soul - Sertanejo - Southern soul
Începând cu anii 1950 se simt și puternice influențe de rock and roll, precum și a altor genuri ulterioare de rock. Din primul val al muzicii country merită amintiți Fiddlin' John Carson, Vernon Dalhart, Riley Puckett, Don Richardson, Ernest Stoneman, Charlie Poole and the North Carolina Ramblers și The Skillet Lickers. Genul a fost apoi modelat și adus în forma în care îl cunoaștem astăzi de Jimmie Rodgers și de familia Carter. Un alt simbol al muzicii country a fost Hank Williams.
Subgenuri și artiști
Alternative country - Wilco, Ryan Adams, Neko Case
Peter La Chapelle (). Proud to Be an Okie: Cultural Politics, Country Music, And Migration to Southern California. University of California Press. ISBN978-0-520-24889-2.
Richard A. Peterson (). Creating Country Music: Fabricating Authenticity. University of Chicago Press. ISBN978-0-226-66285-5.
Harris, Stacy (). The Best of Country: The Essential Cd Guide. Collins Pub San Francisco. ISBN9780002553353.
Bill Legere (1977). Record Collectors Guide of Country LPs. Limited ed. Mississauga, Ont.: W.J. Legere. 269, 25, 29, 2 p., thrice perforated and looseleaf. Without ISBN
Bill Legere ([1977]). E[lectrical] T[anscription]s: Transcription Library of Bill Legere. Mississauga, Ont.: B. Legere. 3 vols., each of which is thrice perforated and looseleaf. N.B.: Vol. 1-2, Country Artists—vol. 2, Pop Artists. Without ISBN
Bill C. Malone (). Don't Get Above Your Raisin': Country Music and the Southern Working Class. University of Illinois Press. ISBN978-0-252-02678-2.
Stamper, Pete (). It All Happened In Renfro Valley. University of Kentucky Press. ISBN978-0-8131-0975-6.
Thomas S. Johnson (1981) "That Ain't Country: The Distinctiveness of Commercial Western Music" JEMF Quarterly. Vol. 17, No. 62. Summer, 1981. pp 75–84.
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