Easter Bunny

Originating among German Lutherans, the "Easter Hare" originally played the role of a judge, evaluating whether children were good or disobedient in behavior at the start of the season of Eastertide, similar to the "naughty or nice" list made by Santa Claus. As part of the legend, the creature carries colored eggs in its basket, as well as candy, and sometimes toys, to the homes of children. As such, the Easter Bunny again shows similarities to Santa (or the Christkind) and Christmas by bringing gifts to children on the night before a holiday. The custom was first mentioned in Georg Franck von Franckenau's De ovis paschalibus ("About Easter Eggs") in 1682, referring to a German tradition of an Easter Hare bringing eggs for the children.

Easter Bunny

A 1907 postcard featuring the Easter Bunny
Grouping	Legendary creature
Sub grouping	Animal
Folklore	Folkloric figure and symbol of Easter
Other name(s)	Easter Rabbit, Easter Hare
Country	Germany

Rabbits and hares

 

The hare was a popular motif in medieval church art. In ancient times, it was widely believed (as by Pliny, Plutarch, Philostratus, and Aelian) that the hare was a hermaphrodite. The idea that a hare could reproduce without loss of virginity led to an association with the Virgin Mary, with hares sometimes occurring in illuminated manuscripts and Northern European paintings of the Virgin and Christ Child. It may also have been associated with the Holy Trinity, as in the three hares motif.^{[unreliable source?]}

Eggs

In Christianity, for the celebration of Eastertide, Easter eggs symbolize the empty tomb of Jesus, from which Jesus was resurrected. Eggs became associated with Easter specifically when eating them was prohibited during the fast of Lent, when believers abstaned from meat and animal products—a practice that continues in certain Christian denominations today, such as the Coptic Orthodox Church, and among Western Christians observing the Daniel Fast. A common practice in England during the medieval Christian era was for children to go door-to-door begging for eggs on the Saturday before Lent began. People handed out eggs as special treats for children to enjoy prior to the Lenten fast; people then abstained from eggs throughout Lent and could enjoy them once again with the conclusion of Lent at the arrival of Easter Sunday. As a special dish, eggs have been decorated by Christians as part of the Easter celebrations. Eggs boiled with some flowers change their color, bringing the spring into the homes, and some over time added the custom of decorating the eggs. Many Christians of the Eastern Orthodox Church and Oriental Orthodox Church to this day typically dye their Easter eggs red "in memory of the blood of Christ, shed as at that time of his crucifixion." The Ukrainian art of decorating eggs, known as pysanky. Similar variants of this form of artwork are seen among other eastern and central European cultures.

The idea of an egg-giving hare went to the U.S. in the 18th century. Protestant German immigrants in the Pennsylvania Dutch area told their children about the "Osterhase" (sometimes spelled "Oschter Haws"). Hase means "hare", not rabbit, and in Northwest European folklore the "Easter Bunny" indeed is a hare. According to the legend, only good children received gifts of colored eggs in the nests that they made in their caps and bonnets before Easter.

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  Dreihasenfenster ('Window of Three Hares') in Paderborn Cathedral in Paderborn, Germany
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  Easter bunnies and Easter eggs as Easter biscuits
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  Marshmallow bunnies and candy eggs in an Easter basket
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  A real live bunny with decorated Easter eggs
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  Chocolate Easter bunnies
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  Chocolate Easter Bunny molds from Alsace Musée du pain d'épices

In a publication from 1874 German philologist Adolf Holtzmann stated "The Easter Hare is unintelligible to me, but probably the hare was the sacred animal of Ostara". The connection between Easter and that goddess had been made by Jacob Grimm in his 1835 Deutsche Mythologie. This proposed association was repeated by other authors including Charles Isaac Elton and Charles J. Billson. In 1961 Christina Hole wrote, "The hare was the sacred beast of Eastre (or Ēostre), a Saxon goddess of Spring and of the dawn."^{[page needed]} The belief that Ēostre had a hare companion who became the Easter Bunny was popularized when it was presented as fact in the BBC documentary Shadow of the Hare (1993).

The Oxford Dictionary of English Folklore however states "nowadays, many writers claim that hares were sacred to the Anglo-Saxon goddess Ēostre, but there is no shred of evidence for this; Bede, the only writer to mention Ēostre, does not link her with any animal".

A legend often encountered in contemporary times is that Eostre freed a frozen bird from a tree branch by turning it into a hare. It still continued to lay eggs but, having no use for them anymore and in gratitude to the goddess, gave them away. This has no basis in any authentic, pre-Christian folklore, myth or religion and only appears to date from 1883, first published by K. A. Oberle in a book in German and later quoted by H. Krebs in a notes section in the journal Folk-Lore, also in 1883. His quote is as follows:

Some time ago the question was raised how it came that, according to South German still prevailing folk-lore, the Hare is believed by children to lay the Easter-eggs. I venture now to offer a probable answer to it. Originally the hare seems to have been a bird which the ancient Teutonic goddess Ostara (the Anglo-Saxon Eàstre or Eostre, as Bede calls her) transformed into a quadruped. For this reason the Hare, in grateful recollection of its former quality as bird and swift messenger of the Spring-Goddess, is able to lay eggs on her festival at Easter-time.

• Domestic and pet rabbits
• Easter Bilby
• Mad as a March hare
• Rabbits and hares in art