Frank Richard Stockton
(1834–1902)

American writer and humorist, best known today for a series of innovative children's fairy tales that were widely popular during the last decades of the 19th century.
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Frank Richard Stockton

Works edit

Collections edit

  • The Novels and Stories of Frank R. Stockton (23 volumes)

Non-fiction edit

  • The home. Where it should be and what to put in it (1872)
  • Stories of New Jersey (1896)
  • Buccaneers and Pirates of Our Coasts (1898)

Novels edit

  • Ting-a-Ling (1870)
  • What Might Have Been Expected (1874)
  • A Jolly Fellowship (1880) Juvenile.
  • Captain Chap, or, The rolling stones (1882, serially; 1897)
  • The Story of Viteau (1884) Juvenile.
  • The Hundredth Man (1886)
  • The Late Mrs. Null (1886)
  • Ardis Claverden (1889)
  • The Great War Syndicate (1889)
  • The Merry Chanter (1889)
  • Personally Conducted (1889) Juvenile.
  • The Stories of the Three Burglars (1889)
  • The House of Martha (1891)
  • The Squirrel Inn (1891)
  • The Great Stone of Sardis (1897)
  • The Water-Devil (1897)
  • The Associate Hermits (1898)
  • The Girl at Cobhurst (1898)
  • The Vizier of the Two-horned Alexander (1898)
  • The Young Master of Hyson Hall (1899)
  • A Bicycle of Cathay (1900)
  • Kate Bonnet: The romance of a pirate's daughter (1901) (unindexed)
  • John Gayther's Garden and the stories told therein (1902)
  • The Captain's Toll-Gate (1903) (external scan)

Series edit

Rudder Grangers edit

  • Rudder Grange (1879)
  • The Rudder Grangers Abroad and other stories (1891) short stories
  • Pomona's Travels (1894)

Mrs. Lecks and Mrs. Aleshine edit

  • The Casting Away of Mrs. Lecks and Mrs. Aleshine , 1918 (1886) illus. Frederic Dorr Steele
  • The Dusantes: A sequel to "The Casting Away of Mrs. Lecks and Mrs. Aleshine" (1888) (Commons file)

Captain Horn edit

Stories edit

Story collections edit

Contributions to Periodicals edit

Individual stories edit

Attributed to edit

Works about Stockton edit

Some or all works by this author were published before January 1, 1929, and are in the public domain worldwide because the author died at least 100 years ago. Translations or editions published later may be copyrighted. Posthumous works may be copyrighted based on how long they have been published in certain countries and areas.

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