Film Under Heaven

The film premiered at the 1998 Sundance Film Festival and received a limited release on July 17, 1998. The story is a modern reworking of the Henry James novel The Wings of the Dove.

In Seattle, Cynthia and Buck are a pair of struggling musicians. The ambitious Cynthia decides to break up with Buck, who is unemployed and has a drug addiction. She answers an ad for a live-in caretaker placed by Eleanor Dunston, a wealthy, terminally ill woman. After Cynthia is hired, the two women gradually form a bond despite coming from opposite ends of the economic spectrum. However, Cynthia harbors an envy of Eleanor's luxurious life.

Buck comes back into Cynthia's life when she accidentally runs into him. Realizing she is still in love with Buck, who now claims to be sober, Cynthia arranges for him to work at Eleanor's house and introduces him as her half-brother. Buck secures a job as a gardener for Eleanor. At nights he meets up for trysts with Cynthia.

Cynthia notices Eleanor developing a physical attraction to Buck and subsequently comes up with a scheme that she believes will solve her and Buck's problems. The plan involves Buck courting Eleanor. Buck is at first reluctant to do so, but soon a tempestuous ménage à trois-like relationship forms between the three of them.

• Joely Richardson as Eleanor Dunston
• Aden Young as Buck
• Molly Parker as Cynthia
• Kevin Phillip as John
• Krisha Fairchild as Cynthia's Mother
• Marjorie Nelson as Mrs. Fletcher

The film premiered not long after the release of another adaptation of The Wings of the Dove, directed by Iain Softley.

Emanuel Levy of Variety gave a negative review, writing that the film is "marred by an obvious narrative, shallow psychological motivations and pat ending". Though he praised Richardson's acting, Levy wrote, "Deviating from James’ great and complex novel, in which emotional ambiguity and moral dilemmas prevail up to the end, Richman's script is too simplistic. Its incidental humor is not enough to make the yarn engaging."

Ruthe Stein of the San Francisco Chronicle was more positive, writing that compared to Softley's film, "what this version lacks in lavishness it makes up for in raw emotion". Stein was also complimentary of Richman's visual style, the Seattle scenery, and Richman's "bold decision to graphically portray the illness". Criticisms were mainly of the film's script, which Richard von Busack of Metro Silicon Valley described as having "the scent of secondhand experience, the air of student drama, complete with blocky morals; a happy, beautiful death; and a preposterous renunciation."

Joely Richardson was nominated for an Independent Spirit Award for Best Supporting Female for her performance.