The Last American Hero

Directed by Lamont Johnson (no relation), the film stars Jeff Bridges as Junior Johnson, a character based on Johnson. It is based on Tom Wolfe's essay "The Last American Hero Is Junior Johnson. Yes!", which was first published in Esquire magazine in March 1965 and included in his debut collection of essays, The Kandy-Kolored Tangerine-Flake Streamline Baby, later that year.

The Last American Hero
DVD cover
Directed by	Lamont Johnson
Written by	William Roberts William Kerby
Based on	"The Last American Hero Is Junior Johnson. Yes!" by Tom Wolfe
Produced by	William Roberts John Cutts
Starring	Jeff Bridges Valerie Perrine Geraldine Fitzgerald
Cinematography	George Silano
Edited by	Tom Rolf Robbe Roberts
Music by	Charles Fox
Distributed by	20th Century-Fox
Release date	July 27, 1973 (1973-07-27)
Running time	95 minutes
Country	United States
Language	English
Budget	$2 million
Box office	$1 million (US/Canada)

Junior Johnson is a restless young man who finds himself the family breadwinner when his father, a career moonshiner, is arrested and sentenced to one-year imprisonment.

Junior is an outstanding driver, so he enters a demolition derby promoted by Hackel, the owner of the local racing track, hoping to win the prize money. Hackel is a cheapskate, but he is sufficiently impressed by Junior's driving skills and attitude (he modified his vehicle with a piece of railroad iron that he rammed into the other cars) that he allows Junior to enter a stock-car undercard race the next week. Junior does well in it and subsequent higher level races, which inspires him to enter the main race at the next top tier event.

Junior is given some valuable advice on how to enter by Marge, a secretary to the race organizer who has a soft spot for Junior, and when he performs well during the trial laps his entry is assured. During the race Junior does very well for a while, but eventually his overtaxed engine blows and Junior has to retire in frustration. Since the prize money at that level of racing is excellent, Junior decides that is the career for him.

However stock car racing is expensive—Junior needs to buy his racing car and pay for its upkeep, and also provide for his brother, Wayne, and three friends who serve as his pit crew and travel companions. Burton Colt, the owner of a team that has not won any races lately, offers Junior a chance to drive for him, but the financial terms are stacked against Junior, and Colt insists that Junior will have to use the team's crew. Junior declines the offer. To raise money he spends his nights transporting moonshine, which his father does not approve of, knowing it will inevitably land his son in prison as it did him. Junior's mother, meanwhile, does not want him to race because she thinks it's too dangerous a pursuit. A lesser complication for Junior to deal with is that although Marge is very fond of him, she is also attracted to other top drivers on the stock car circuit, including Kyle Kingman, Junior's racing and now romantic rival.

The film was favorably reviewed by Pauline Kael in The New Yorker, even though The New Yorker had a long-standing feud with Wolfe.

It has an 71% rating on Rotten Tomatoes.

The film's theme song, "I Got a Name", sung by Jim Croce, was released in September 1973 as a single, peaking at No. 10 on the Billboard Hot 100 and No. 4 on its Easy Listening chart.

The film was released on DVD in 2006 with both full and widescreen presentations alongside its theatrical trailer; as of 2023, it is also available for streaming.

• I Got a Name — the 1973 Jim Croce album featuring the film's theme song
• New Journalism — a literary movement mixing facts with elements of fiction, like the 1965 source material written by Wolfe