Better Call Saul Mijo

Written by series co-creator Peter Gould and directed by Michelle MacLaren, "Mijo" aired on AMC in the United States on February 9, 2015 and lasted 44 minutes and 20 seconds, one night after the series premiere. Outside of the United States, the episode premiered on streaming service Netflix in several countries.

The episode marks the first appearance of Nacho Varga (played by Michael Mando). In the episode, Jimmy McGill (Bob Odenkirk) accidentally meets Tuco Salamanca (Raymond Cruz), who thinks Jimmy and his clients, twins Lars and Cal Lindholm (Daniel Levine and Steven Levine), have come to scam his grandmother (Míriam Colón). In actuality, they were attempting to scam the wife of the Bernalillo County Treasurer, Betsy Kettleman. Tuco takes the three out to the desert, where he and Nacho interrogate them. After the three get released, Jimmy works to make money in court.

Tuco Salamanca is preparing salsa when his grandmother returns after her run-in with the Lindholm brothers. Though they accidentally targeted the wrong driver, Cal and Lars follow her home and falsely claim serious injuries from the staged accident. They demand money and follow Tuco's grandmother into her house. Tuco uses her cane to beat them unconscious, then arranges for Nacho Varga, No Doze, and Gonzo to come with a van. Jimmy McGill arrives at the front door searching for Cal and Lars and Tuco drags him inside at gunpoint.

Jimmy insists Cal and Lars did not intentionally target Tuco's grandmother. Tuco allows Jimmy to see Cal and Lars, who are bound and gagged, but when Jimmy removes Lars' gag, Lars immediately implicates Jimmy.

Tuco and his men take Jimmy, Cal, and Lars to the desert and question Jimmy. Thinking quickly, Jimmy tells Tuco he is a lawyer, but Tuco does not believe him. Tuco threatens to cut off a finger and Jimmy falsely claims he is an FBI agent. Nacho is suspicious and threatens Jimmy again, so Jimmy goes back to admitting the truth—he is a lawyer who intended to scam the Kettlemans.

Nacho convinces Tuco that killing a lawyer would attract unwanted attention. Tuco frees Jimmy but moves to kill Cal and Lars. Jimmy convinces Tuco to spare their lives and talks him into only breaking one leg each as punishment.

After bringing Cal and Lars to a hospital, Jimmy arrives at a bar for a date. A customer's snapping breadsticks remind Jimmy of the broken legs, so he excuses himself and vomits in the bathroom. An intoxicated Jimmy later collapses on Chuck McGill's couch after forgetting to leave his cellular phone in Chuck's mailbox. Chuck’s EHS causes him to throw the phone outside. The following morning, Chuck admits to seeing the hospital bill for Cal and Lars. Jimmy reassures Chuck that he is not returning to his conman past.

Jimmy returns to his office after several days in court. A salon employee tells him a client has arrived. The client is Nacho, who tells Jimmy he wants to steal the Kettlemans' $1.6 million, for which he will pay Jimmy a finder's fee. Jimmy insists he is a lawyer, not a criminal. Nacho writes his phone number on one of Jimmy's matchbooks and tells Jimmy to call when he figures out he is "in the game."

The episode was written by series co-creator and executive producer Peter Gould, who originally wrote the episode that introduced Saul Goodman in the second season of Breaking Bad. It was directed by Michelle MacLaren, the most prolific director for Breaking Bad, directing 11 episodes and also served as an executive producer.

During the episode, there is a montage in which Jimmy's routine is revealed: Grabbing his coffee, defending clients, collecting his check, and his ongoing battle with the parking attendant, Mike. During his routine he always looks in the mirror as he states, “It’s showtime, folks!” a line from Bob Fosse's All That Jazz. All That Jazz is about a director and choreographer trying to balance out his work and personal life. The use of the particular line “It’s showtime, folks!” emphasizes the concept that Jimmy views this as a performance.

Upon moving to its regular Monday slot, the episode received 3.4 million viewers and a 1.6 rating among adults 18–49 in the United States. This equated to a 50 percent drop in viewers, along with a 52 percent decline in the demographic.

Erik Kain of Forbes said that despite hating the long and drawn-out restaurant scene, the overall episode was good. Despite this he felt that he wasn't "sitting nearly as close to the edge of my seat [as in Breaking Bad]—but it's entertaining and funny and still beautifully shot, acted, and written." David Segal of The New York Times, in a positive review, noted that his favourite part of the episode "is the elaborate, jaunty montage of Jimmy at court, which pays tribute to the elaborate, jaunty montage in Bob Fosse's All That Jazz, complete with the same Vivaldi concerto and "It's showtime!" catchphrase.

Catherine Gee of The Telegraph gave the episode 4 out of 5 stars, saying:

We got to see Jimmy McGill... truly show off his negotiating skills when haggling over the twins' fate. And it is in the deft hands of the episode’s writer and co-creator Peter Gould that we got to indulge in a light chuckle over whether McGill can talk Tuco down from a flaying to a leg-breaking while avoiding the possible detours of eye-gouging and tongue-ripping.

Roth Cornet of IGN gave the episode a 9 out of 10, saying "Better Call Saul hit the ground running with its second episode; setting the stage for a series that is part morality play, part Greek tragedy (replete with a foregone and less than savory conclusion) and part love letter to great performers—whatever walk of life they happen to be on." Richard Vine of The Guardian was also positive in his view. In particular he felt that "The best thing to come out of the desert is our introduction to Nacho Varga. Tuco's far more reasonable associate has sized up the situation and tracked Jimmy down to his "office"". The Atlantic named "Mijo" one of the best television episodes of 2015.

Michael Star of the New York Post gave the episode a 3 out of 4 rating, saying:

Sunday's premiere episode moves along at a brisk clip, with moody cinematography that, like Breaking Bad, somehow makes the bright New Mexico sunlight, set against a brilliant azure sky, seem like stormy foreboding—lifted by Odenkirk's confident performance and Jimmy's snappy dialogue [...]. I'm always interested to see how/if a new show carries its premiere momentum forward, especially with a show like Better Call Saul, which was hyped so relentlessly by AMC that you began to wonder. But Monday night's second episode does a nice job of maintaining its mojo, as Jimmy has an epiphany that will change the course of his life, and we're in for several more surprises. It's a good start for a series that's already been renewed for a second season—and will have time to grow.