Chinese Opera Costume

Some of these costumes bear some resemblance to the Hanfu system but also show some differences in terms of clothing ornaments and decorations, as well as colour system, and in design and construction. In 2006, the techniques used to produce Beijing opera costumes were included in the national intangible cultural heritage list.

Chinese opera costume
Chinese name
Chinese	戏服
Transcriptions Standard Mandarin Hanyu Pinyin Xìfú
English name
English	Chinese opera costume

 

Beijing opera was created in 1790 during the reign of the Qianlong Emperor in the Qing dynasty; however, the origins of its costumes can be traced back to the 14th century. The costumes were set in the Qing dynasty but its style mainly followed the Ming dynasty's hanfu-style clothing. They also absorbed some characteristics of the clothing style worn in the Song, Yuan, and Qing dynasties. Based on various forms of historical clothing, modifications were made to meet the needs of the play (including the singing and dancing movements of the actors).

Beijing opera costumes tend to be decorated with embroidery and exaggerated decorative patterns; the colours also tend to be bright. These costumes are crucial for the audience to understand the play. These costumes follow a social hierarchy (which includes nobles, the humbly born, civilians, military, official or private citizens); they also feature special ornamental patterns and decorations which are crucial in differentiating social class of the characters. The costumes also allow the audience to distinguish a character's sex. They also use subtle differences to distinguish between loyal and wicked characters. Since the costumes used is the same regardless of seasons, the weather is described in every scene of the play and is indicated by the actors' movements rather than on his clothing.

There are 20 major types of costumes, which include: Mang, an informal robe that is generally used for the emperor, nobles, civil and military officials, etc.; pi; kao (an armor, which is used for soldiers), xuezi. Some costumes were also designed by Mei Lanfang, which include guzhuang and the yuntai zhuang (cloud terrace costume).

 

Most Cantonese opera costumes are derived from the clothing style of the Ming dynasty, except for some which are based on the clothing of the Qing dynasty. When depicting plays that are set in all other dynasties except the Qing dynasty, Ming-style costumes are used. The Qing-style costumes are only used when the plays are set in the Qing dynasty.

The standards which are used to indicate particular roles or characters through the wearing of costumes are not as strict as those in Beijing opera. The costumes are typically specific to a general role and a character type, but they are rarely used to represent a specific character. The clothing can be divided into civil and military where the sleeves indicate if the character is civil or military. Colours are also used to indicate the role and character type.

Cantonese opera costumes include the fan gongzhuang, haiqing,. Water sleeves were rarely used before World War II.

 

Huangmei opera costumes typically use ancient-style garments as most plays are based on Chinese folk tales.

 

Kunqu opera costumes are also based on the clothing style of the Ming dynasty; however, this historical clothing were modified to turn it into a more elaborate and exaggerated version.

The decorations used on the costumes are simple but they often give information about the character's personality; for example, peonies on the robe of a young man may indicate that he is a playboy. Water sleeves are also used in Kunqu opera to accentuate the actors' dance movements.

• Hanfu
• Guzhuang
• Qizhuang
• Chinese opera