Alice Coote

Alice Coote OBE (born 10 May 1968) is a British mezzo-soprano.

Known internationally for her performances in opera playing both female and male roles, and her recitals with piano and concerts with orchestra, Coote has performed extensively across Europe, North America and Asia. Her repertoire ranges from early and baroque music to contemporary works, and includes works which have been especially written for her. She was appointed OBE in the 2018 Birthday honours for services to music.

Alice Coote
Alice Coote in Carmen in 2007, ENO

Life

Coote was born in Frodsham, Cheshire, the daughter of the painter Mark Coote. She was educated at the Guildhall School of Music and Drama in London (though she did not complete her course), the Royal Northern College of Music in Manchester (where she came into contact with Janet Baker and Brigitte Fassbaender[citation needed]) and the National Opera Studio during 1995/96. Coote was a BBC Radio 3 New Generation Artist from 2001 until 2003. She sings both operatic roles, particularly trouser roles, and recital repertoire, often with pianist Julius Drake.

An interpreter of Handel she has also performed contemporary pieces such as Dominick Argento's From the Diary of Virginia Woolf, a partly atonal work first performed by Janet Baker, who influenced Coote. Judith Weir has written a song cycle, The Voice of Desire, especially for her; it was premiered at a BBC Chamber Prom.

Coote has performed at England's Opera North, the English National Opera, the Metropolitan Opera in New York (Hansel in Humperdinck's Hansel and Gretel), the San Francisco Opera in 2002 (Ruggiero in Handel's Alcina) and 2008 (Idamante in Mozart's Idomeneo). In 2009, she appeared as Maffio Orsini in Donizetti's Lucrezia Borgia at the Bavarian State Opera. She also performed in 2011 as Prince Charming in Massenet's Cendrillon at the Royal Opera House. In 2013, she played Sextus in the Metropolitan Opera's production of Handel's Giulio Cesare. In March 2017 she reprised the role of Idamante in six performances at the Metropolitan Opera.

Recordings

References

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