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Thaddeus John Szarkowski (December 18, 1925 – July 7, 2007) was an American photographer, curator, historian, and critic. From 1962 to 1991 Szarkowski was... |
Ansel Adams (category Fellows of the American Academy of Arts and Sciences) Ansel; Szarkowski, John; Hill, Tim (1977). The portfolios of Ansel Adams. Little, Brown. ISBN 978-0-8212-0723-9. Adams, Ansel; Brooks, Paul; Szarkowski, John;... |
Garry Winogrand (category Articles with National Gallery of Canada identifiers) his portrayal of U.S. life and its social issues, in the mid-20th century. Photography curator, historian, and critic John Szarkowski called Winogrand... |
Eugène Atget (category Pioneers of photography) researchers in attempts to create the image of a romantic artist. In his research, John Szarkowski cited a fragment of Atget’s correspondence with Paul Leon... |
Walker Evans (section Photographic Style) 1971. Selected by John Szarkowski, the exhibit was titled simply Walker Evans. Evans's style has been hard to describe. John Szarkowski regarded his work... |
Photography (redirect from Photographic) system. In the United States, a handful of photographers, including Alfred Stieglitz, Edward Steichen, John Szarkowski, F. Holland Day, and Edward Weston,... |
Diane Arbus (category Articles with National Gallery of Canada identifiers) Customs". She was awarded a renewal of her fellowship in 1966. John Szarkowski, the director of photography at the Museum of Modern Art (MoMA) in New York City... |
Geoffrey James (photographer) (category Members of the Royal Canadian Academy of Arts) Architecture (edited with a prologue by Phyllis Lambert and an essay be John Szarkowski). 1996. ISBN 0920785581. Retrieved 24 April 2024.; Running fence :... |
Lee Friedlander (category Articles with National Gallery of Canada identifiers) and John Szarkowski. New York: Museum of Modern Art, 2005. ISBN 0-87070-338-2. With a preface by Friedlander and an afterword by John Szarkowski, "The... |
degree of pressure irked Yamagishi and was what caused him to resign. Yamagishi worked with his friend John Szarkowski to mount two exhibitions of Japanese... |
William Eggleston (category University of Mississippi alumni) artists. In an interview, John Szarkowski describes his first encounter with the young Eggleston in 1969 as being "absolutely out of the blue".[citation needed]... |
Documentary photography (category Museum of Modern Art (New York City) exhibitions) John Szarkowski proposed in that exhibition that a new generation, committed not to social change but to formal and iconographical investigation of the... |
Daidō Moriyama (section Publications) Japanese Photography at the Museum of Modern Art in 1974, curated by John Szarkowski and Shoji Yamagishi,. Selected as one of thirteen photographers in the... |
Edward Steichen (category Articles with National Gallery of Canada identifiers) 1963). Steichen hired John Szarkowski to be his successor at the Museum of Modern Art on July 1, 1962. On his appointment, Szarkowski promoted Mayer to Curator... |
Stephen Shore (category Articles with National Gallery of Canada identifiers) large format camera is believed to have happened because of a conversation with John Szarkowski. In 1974 a National Endowment for the Arts (NEA) grant funded... |
Judith Joy Ross (category Articles with National Gallery of Canada identifiers) catalogs of her work have been published internationally. John Szarkowski at the Museum of Modern Art in New York selected Ross' work for the first exhibition... |
Bill Brandt (category Articles with National Gallery of Canada identifiers) 1969: Bill Brandt, Museum of Modern Art, New York. Curated by John Szarkowski. 1970: Bill Brandt: Photographs, Arts Council of Great Britain, London 1975:... |
of the World Register in recognition of its historical value. Steichen's hand-picked successor, John Szarkowski (curator 1962–1991), guided the department... |
The Family of Man. New York: The Museum of Modern Art. ISBN 0-87070-341-2 Szarkowski, J. “The family of man”. In Elderfield, John; Museum of Modern Art... |
Jerry Uelsmann (category CS1 maint: DOI inactive as of January 2024) Photography since 1960" directed by John Szarkowski at the Museum of Modern Art, NY. The show reflected on two theories of contemporary photographers. One... |