Film The Rambler

The Rambler
Directed by	Calvin Reeder
Written by	Calvin Reeder
Produced by	Nate Bolotin Roger M. Mayer Christo Dimassis James Lejsek Clayton Young
Starring	Dermot Mulroney Lindsay Pulsipher Natasha Lyonne James Cady
Cinematography	Dave McFarland
Edited by	Buzz Pierce
Music by	Scott Honea Jed Maheu Heather McIntosh
Production companies	Also Known As Pictures Brooklyn Reptyle Films WindowLight Pictures XYZ Films
Distributed by	Anchor Bay Entertainment
Release date	January 21, 2013 (2013-01-21) (Sundance Film Festival)
Running time	97 minutes
Country	United States
Language	English

The film's narrative concerns a mysterious loner known only as the Rambler, played by Dermot Mulroney. Newly released from prison, he embarks on a dark journey across a bleak and strange contemporary landscape, meeting a bizarre cast of characters. It received negative reviews from critics.

• Dermot Mulroney as The Rambler
• Lindsay Pulsipher as The Girl
• Natasha Lyonne as Cheryl
• James Cady as The Scientist

The Rambler was premiered at the 2013 Sundance Film Festival, and subsequently screened within such festivals as South by Southwest and Maryland Film Festival.^{[citation needed]}

Home media

The film was released on DVD and Blu-ray by Lionsgate and Starz/Anchor Bay on June 25, 2013.

On Rotten Tomatoes, the film holds an approval rating of 33% based on 12 reviews, with a weighted average rating of 5.8/10. On Metacritic, which assigns a rating to reviews, the film has a weighted average score of 32 out of 100, based on 6 critics, indicating "generally unfavorable reviews".

Amy Nicholson from LA Times gave the film a negative review, writing "What all of this means is, frankly, nothing. But it's a handsome nothing, at least until you get sick of the screaming." Justin Lowe from The Hollywood Reporter called the film "Misguided exercise in genre fetishism", criticizing the film's plot, cheap special-effects, and performances. Drew Hunt from Slant Magazine gave the film a positive review, writing, "Like Inland Empire, essentially a three-hour reel of David Lynch’s nightmares, the film is anchored in the sort of dream logic that may only make complete sense to its creator. Reeder’s dogged refusal to allow even the smallest semblance of standard movie comforts—likeable characters, narrative logic, easily identifiable themes—to worm their way into the film may be hubristic, but by that same token, it’s refreshing and revitalizing to watch someone assertively rattle the cages of cinematic form. After all, there’s more than one way to tell a story."