1959 Film The Moon And Sixpence

The production, starring Laurence Olivier, was adapted by S. Lee Pogostin from the novel by Somerset Maugham. The production won multiple Emmy and Sylvania Awards, including awards for Olivier's acting, Pogostin's adaptation, and Robert Mulligan's direction.

The Moon and Sixpence
Laurence Olivier in leprosy makeup
Written by	S. Lee Pogostin (adaptation), Somerset Maugham (novel)
Directed by	Robert Mulligan
Starring	Laurence Olivier Hume Cronyn Jessica Tandy
Production
Producer	David Susskind
Running time	90 minutes
Original release
Release	October 30, 1959 (1959-10-30)

A successful stockbroker leaves his family in middle age to become an artist. His wife (played by Geraldine Fitzgerald) responds by committing suicide. In Paris, he befriends another artist (played by Hume Cronyn), then has an affair with his friend's wife (played by Jessica Tandy), destroying their marriage. He settles in Tahiti where he marries a native woman (played by Jean Marsh) and develops leprosy.

The following performers appeared in the movie:

The 90-minute movie was produced in December 1958 and recorded on color videotape. David Susskind was the producer and Robert Mulligan the director. It was sponsored by RCA and used in advertising for color television sets.

The film is based on Somerset Maugham's 1919 novel, The Moon and Sixpence. The novel had previously been adapted into a stage play in 1925, a feature film in 1942, and an opera in 1957. The television adaptation was written by S. Lee Pogostin.

The production was Laurence Olivier's debut on American television. Olivier won Emmy and Sylvania Awards for his performance, which required him to portray the transformation of the protagonist from a timorous London stockbroker to a rude Parisian artist and eventually a noble leper in Tahiti.

Makeup artist Dick Smith was responsible for Olivier's makeup after the character developed leprosy. Olivier noted the extreme makeup reflecting the disfigurement of his character's face "does the acting for me." Smith and Olivier later worked together again on Marathon Man (1976).

Critics

In The New York Times, Jack Gould called Olivier's performance "a work of towering accomplishment". He also wrote that the "completely arresting" production proved "that TV can achieve glorious heights if its creative people are afforded free rein."

In the New York Herald-Tribune, Marie Torre called it "the closest thing to dramatic perfection ever known on television." She also wrote that Olivier's performance "had a brilliance and magnetism unmatched in the annals of TV."

Bob Thomas of the Associated Press found Olivier's transformation from dullish London stockbroker to amoral painter to have been skillful and convincing. However, Thomas criticized the story as the "chronicle of a cad" with scene after scenes in which the protagonist mistreats his family and friends. Thomas also found any drama in the story to have been "largely muffled" by the narration-heavy adaptation and "talky" dialogue filled with "idle philosophizing". He also found much of the dialogue to be dated, including an exchange in which Olivier tells his Tahitian wife, "I shall beat you, you know," and she replies, "How else shall I know that thy love is true?"

Awards

The film won two Emmy Awards: for outstanding single performance by an actor (Laurence Olivier) and outstanding directorial achievement in drama (Mulligan). It was also nominated for outstanding program achievement in the field of drama but lost to Playhouse 90.

The film also won four Sylvania Television Awards: outstanding dramatic program; outstanding telecast; outstanding performance by an actor in a starring role (Olivier); and outstanding television adaptation (Pogostin).

David Susskind also received a Peabody Award for his production of "a drama of style and substance."