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Text and/or other creative content from this version of RRR (film) was copied or moved into RRR (soundtrack) with this edit. The former page's history now serves to provide attribution for that content in the latter page, and it must not be deleted as long as the latter page exists. |
This article has previously been nominated to be moved.
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I'll list in this section some of the references that I remove as part of WP:CITEKILL so that they could potentially be used for sourcing other relevant content.
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: CS1 maint: url-status (link)More to come — DaxServer (t · m · c) 09:00, 25 March 2022 (UTC) (Updated: — DaxServer (t · m · c) 11:58, 19 May 2022 (UTC))
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Under Release, Theatrical: 'The High Court quashed the petition in March, observing that film did not tarnish the reputation of two revolutionaries as claimed.'
Please change 'reputation of two revolutionaries' to 'reputation of the two revolutionaries'. Amecabra (talk) 14:38, 31 July 2023 (UTC)
Move preformed without explanation or discussion on August 9; RRR (disambiguation) had also been moved on April 2 with no explanation. However, the moove seems to have been justified based on the disproportionate pageviews of this article compared to others on the DAB page.
Pageviews for this article, its former title, RRR (disambiguation), and the next seven most popular articles at that dab page between April 3 and December 3: in decreasing order, Rayman Raving Rabbids, RRR (soundtrack), The three Rs, Red River Rivalry, Regional Ring Road, River Runs Red, and Ridge Racer Revolution. –LaundryPizza03 (dc̄) 08:10, 4 December 2023 (UTC)
The film opens with a disclaimer that the work is entirely fictional; however, since the two leading characters are based on two central Telugu historical figures, there is a certain responsibility owed to depicting them with a degree of historical integrity. In order to address these nuanced issues, I have added a section titled '(Mis)use of History,' which delves into the complexities surrounding historical accuracy and the adequacy of disclaimers. This section aims to foster a discussion on how the film navigates the fine line between fiction and historical representation, inviting contributors to share their insights on the challenges and ethical considerations involved. I encourage fellow editors to review this section and provide feedback to ensure a balanced and informed portrayal of the historical context within the film. OwlzOfMinerva (talk) 03:09, 7 December 2023 (UTC)
RRR is a unique Indian movie that has received massive acclaim globally - something that's not shared by any other movie and is inspirational for the entire Indian film ecosystem.
The section below highlights that unique achievement.
Reception of RRR by international Filmmakers
Steven Spielberg praised RRR, saying "I couldn't believe my eyes – it was like eye candy...it was extraordinary to look at and experience." Rajamouli said in response "I can almost get up from the chair and do a dance – it means a lot to me."
James Cameron said that he liked RRR so much that he watched it twice and praised the screenplay, direction and music direction of the movie.
Edgar Wright said that RRR was "an absolute blast" and said it was "The only film I have ever seen where the intermission card itself got a round of applause."
Adam McKay publicly expressed support to RRR for the Oscar awards race.
James Gunn said that about RRR that he "Totally dug it."
Russo Brothers have publicly expressed their appreciation for RRR and its director SS Rajamouli . Joe Russo mentioned “I’ve seen RRR, and it’s amazing." He further mentions "What I think is so amazing about [RRR] is the emotion it evokes, combined with the spectacle."
Scott Derrickson tweeted "To celebrate my birthday last night, my wife, kids and I watched @RRRMovie — what an awesomely outrageous roller coaster of a movie. Loved it"
Joe Dante called RRR a brutal portrait that depicts the horrors of British colonisation and said that "I bet you’ve never seen anything quite like it"
Daniel Kwan lauded the film, saying "While a lot of the blockbusters we're making in the states tend to have self aware, cheeky characters trapped in self-serious filmmaking, RRR was all heart-on-its-sleeve sincerity wrapped up in the most ridiculous over the top execution. So much to love."
This section has been thoroughly cited (as can be seen from the history version of this page from 26-27 Jan 2024) with all the examples, but is continuously being removed by the user below, whom I address below to better understand the contention:
@Falimy: May I ask why are you removing this section? Is there a problem with citation? Is the acclaim by Steven Speilberg or James Cameron not considered noteworthy by you? Is there any other format that you'll prefer? Are there any other issues that you have noticed?
Kindly clearly articulate the reasons here in the Talk page so that we can understand your reason for persistently editing this section out. SaibaK (talk) 01:54, 3 February 2024 (UTC)
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