It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre.
"The Raven" depicts a mysterious raven's midnight visit to a mourning narrator, as illustrated by Édouard Manet (1875), digitally restored.
"The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a distraught lover who is paid a mysterious visit by a talking raven. The lover, often identified as a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further antagonize the protagonist with its constant repetition of the word "Nevermore". The poem makes use of folk, mythological, religious, and classical references.
Poe claimed to have written the poem logically and methodically, with the intention to create a poem that would appeal to both critical and popular tastes, as he explained in his 1846 follow-up essay, "The Philosophy of Composition". The poem was inspired in part by a talking raven in the novel Barnaby Rudge: A Tale of the Riots of Eighty by Charles Dickens. Poe based the complex rhythm and meter on Elizabeth Barrett's poem "Lady Geraldine's Courtship", and made use of internal rhyme as well as alliteration throughout. (Full article...)
The Nebula Award for Best Novelette is given each year by the Science Fiction and Fantasy Writers Association (SFWA) to a science fiction or fantasynovelette. A work of fiction is defined by the organization as a novelette if it is between 7,500 and 17,500 words; awards are also given out for pieces of longer lengths in the Novel and Novella categories, and for shorter lengths in the Short Story category. To be eligible for Nebula Award consideration a novelette must be published in English in the United States. Works published in English elsewhere in the world are also eligible provided they are released on either a website or in an electronic edition. The Nebula Award for Best Novelette has been awarded annually since 1966. The Nebula Awards have been described as one of "the most important of the American science fiction awards" and "the science-fiction and fantasy equivalent" of the Emmy Awards. Nebula Award nominees and winners are chosen by members of SFWA, though the authors of the nominees do not need to be members. Works are nominated each year by members in a period around December 15 through January 31, and the six works that receive the most nominations then form the final ballot, with additional nominees possible in the case of ties. Soon after, members are given a month to vote on the ballot, and the final results are presented at the Nebula Awards ceremony in May. Authors are not permitted to nominate their own works, and ties in the final vote are broken, if possible, by the number of nominations the works received. The rules were changed to their current format in 2009. Previously, the eligibility period for nominations was defined as one year after the publication date of the work, which allowed the possibility for works to be nominated in the calendar year after their publication and then be awarded in the calendar year after that. Works were added to a preliminary list for the year if they had ten or more nominations, which were then voted on to create a final ballot, to which the SFWA organizing panel was also allowed to add an additional work. (Full article...)
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