Lully Phaëton

Philippe Quinault wrote the French libretto after a story from Ovid's Metamorphoses. It can be read as an allegorical depiction of the punishment awaiting those mortals who dare to raise themselves as high as the "sun" (i.e. the Sun King).

Phaëton was the first lyric tragedy of Lully and Quinault to receive its world premiere at the Palace of Versailles, where it was given without stage machinery on or about 6 January 1683. The Paris Opera also performed it at the Théâtre du Palais-Royal (beginning on 27 April), where it was very successful with the general public. The performances ceased for thirty days of mourning following the death of the queen on 30 July 1683, but resumed thereafter and continued until 12 or 13 January 1684. The opera was revived at the Palais-Royal in 1692, 1702, 1710, 1721, 1730, and 1742. It was sometimes referred to as "the people's opera", just as Lully's Isis came to be called "the musician's opera" (because of its score), and his Atys, as "the king's opera" (one of Louis XIV's favorite works).

Phaëton, the prideful and reckless son of the Sun and the ocean nymph Clymene, is driven to abandon his lover Theona by his ambition for the hand of Libya, daughter of the king of Egypt. On the day of the wedding, Libya's enraged lover Epaphus, himself the son of Jupiter, disputes Phaëton's claim to divine lineage. Desiring to prove himself, Phaëton convinces his father to allow him to drive the sun-chariot for one day. In the course of his flight he loses control of the horses, threatening the earth beneath with fiery destruction; Epaphus entreats his father to put an end to the danger, and Jupiter strikes the chariot down with a thunderbolt. Phaëton falls to his death.

• Lully: Phaéton / Marc Minkowski, Les Musiciens du Louvre. Erato (1993). Catalogue# 91737 (2 CDs)
• Christophe Rousset Aparté, 2 CDs, 2011

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