excerpt Of Fünf Sätze Für Streichquartett, Op. 5, I. Heftig Bewegt; Anton Webern, Composer, Schloss Preglhof, Spring 1909; Emerson String Quartet, State University Of New York At Purchase, 19 October 1992.Ogg

5, I. Heftig bewegt; Anton Webern, composer, Schloss Preglhof, spring 1909; Emerson String Quartet, State University of New York at Purchase, 19 October 1992.ogg">Excerpt_of_Fünf_Sätze_für_Streichquartett,_Op._5,_I._Heftig_bewegt;_Anton_Webern,_composer,_Schloss_Preglhof,_spring_1909;_Emerson_String_Quartet,_State_University_of_New_York_at_Purchase,_19_October_1992.ogg ‎(Ogg Vorbis sound file, length 30 s, 422 kbps, file size: 1.51 MB)

Summary

Media data and Non-free use rationale
Description	Excerpt of Fünf Sätze for string quartet, Op. 5, I. Heftig bewegt; Anton Webern, composer, Schloss Preglhof, spring 1909; Emerson String Quartet, State University of New York at Purchase, 19 October 1992.
Author or copyright owner	Universal Music Group
Source (WP:NFCC#4)	Webern: Complete Works, Deutsche Grammophon, ASIN B00004R9F0
Date of publication	28 October 2022
Use in article (WP:NFCC#7)	Anton Webern
Purpose of use in article (WP:NFCC#8)	example of Webern's freely atonal music; the swift, radical influence of Op. 5 on Schoenberg ("Harmony is expression and nothing else. ... Away with Pathos! Away with protracted ten-ton scores .... My music must be brief. Concise! In two notes: not built, but "expressed"!! And the results I wish for: no stylized and sterile protracted emotion. People are not like that: it is impossible for a person to have only one sensation at a time. One has thousands simultaneously. ... And this variegation, this multifariousness, this illogicality which our senses demonstrate, the illogicality presented by their interactions, set forth by some mounting rush of blood, by some reaction of the senses or the nerves, this I should like to have in my music.") and his subsequent music: Opp. 11/iii, 16, and 17; Schoenberg's being "intoxicated by the enthusiasm of having freed music from the shackles of tonality" and believing with his pupils "that now music could renounce motivic features and remain coherent and comprehensible nonetheless"
Not replaceable with free media because (WP:NFCC#1)	There is appparently no free equivalent, especially of clarity and quality, available.
Not replaceable with textual coverage because (WP:NFCC#1)	This excerpt substantiates textual claims.
Minimal use (WP:NFCC#3)	Several claims as to Webern's work in early 1909 and its influence on Schoenberg's subsequent work in 1909 are substantiated by 30 seconds.
Respect for commercial opportunities (WP:NFCC#2)	This excerpt does not replace the original market role of the original copyrighted material.
Fair useFair use of copyrighted material in the context of Anton Webern//en.wikipedia.org/wiki/File:Excerpt_of_F%C3%BCnf_S%C3%A4tze_f%C3%BCr_Streichquartett,_Op._5,_I._Heftig_bewegt;_Anton_Webern,_composer,_Schloss_Preglhof,_spring_1909;_Emerson_String_Quartet,_State_University_of_New_York_at_Purchase,_19_October_1992.oggtrue

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	Date/Time	Thumbnail	Dimensions	User	Comment
current	02:02, 29 October 2022		30 s (1.51 MB)	(talk \| )	Uploading an excerpt from a non-free work using File Upload Wizard

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Anton Webern

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Format	Bitrate	Download	Status	Encode time
MP3	223 kbps		Completed 02:02, 29 October 2022	1.0 s

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Software used	Lavf58.76.100 Lavc58.134.100 libvorbis