Adult Animation

Animated works (includes animated films, television series, and web series) in this medium could be considered adult for any number of reasons, which include the incorporation of toilet humor, nudity, sexual content (either explicit or suggestive), graphic violence, profanity, dark comedy, political themes, or other thematic elements inappropriate for children and/or younger viewers. Works in this genre may explore philosophical, political, or social issues.

Some animated productions are noted for their complex and/or experimental storytelling and animation techniques, the latter with many distinct styles have defined such unique artistry.

Adult animation is typically defined as animation that skews toward adults. It is also described as something that "formative youths should stay far, far away from" or has adult humor and comes in various styles, but especially sitcoms and comedies. Some have stated that it refers to animations with "adult themes and situations", which uses "explicit language" and make jokes that adults, and occasionally teens, are "more likely to understand" than others. On television, such animations often run in the evening, but they are not generally pornographic or obscene. AdWeek called adult animation "animated projects aimed at grown-ups, not kids." They also focus on issues that adults handle, and have cheeky, and occasionally crass, humor "that has no limits—bouncing between funny and offensive," while evoking a "balance of reality and fantasy". They may also contain violence or sexual themes.

 

International animators and filmmakers were among the notables of adult animation works:

• Ralph Bakshi - Heavy Traffic, Coonskin, Fritz the Cat, and American Pop
• Mike Judge - Beavis and Butt-Head and King of the Hill
• Trey Parker and Matt Stone - South Park
• Aubrey Ankrum, Rhode Montijo and Kenn Navarro - Happy Tree Friends
• Don Hertzfeldt
• Matt Groening - The Simpsons and Futurama
• Seth MacFarlane - Family Guy and American Dad!
• Christy Karacas - Superjail! and Ballmastrz: 9009
• Loren Bouchard- Home Movies and Bob's Burgers
• Satoshi Kon - Perfect Blue and Paprika
• Katsuhiro Otomo
• Hayao Miyazaki
• Dan Harmon
• Justin Roiland - Rick and Morty
• Genndy Tartakovsky - Primal
• John Kricfalusi - The Ren & Stimpy Adult Party Cartoon
• Picha
• Lee Hardcastle

Channels, segments and blocks

Some television channels and their segments or blocks that focused on broadcasting adult animation:

• Adult Swim - an adult-oriented programming block only on nighttime as an opposite version of Cartoon Network, both were owned by Warner Bros.
  • Examples included: Robot Chicken, The Boondocks, Rick and Morty, Aqua Teen Hunger Force
• Comedy Central -
  • Examples included: South Park, Ugly Americans, Futurama, Drawn Together
• Netflix - a streaming service ventures into adding to its catalog and producing animated series for adults.
  • Examples included: Arcane, Love, Death & Robots, Bojack Horseman, Blue Eye Samurai
• Amazon Prime Video -
  • Examples included: Hazbin Hotel, Undone

Several highly-acclaimed adult animated films and television series were immensely recognized by international organizations and critics. They influenced animators and filmmakers over the course of the late-20th century and the to 21st century, catering such important artistic and narrative structures with mature subject matter.

Conversely, several works have been largely ignored by many detractors for their depiction of graphic subject matter and sensitive topics, such as violence, race, gender, and sexuality. They still show a bias towards live-action and raunchy animated sitcoms, compared to early pioneers. However, the result is a new audience that is ready for narratively-sophisticated adult animated works and a new crop of creators exploring the adult animation space. This development allows creators to continue challenging the perceived limitations of animation.

Many animators and adult animation fans, both international and non-Disney respectively, boycotted the Academy over remarking that animation was synonymous with "kids" during the 94th Academy Awards in 2022. The award for the Best Animated Feature was presented by three actresses who portrayed the Disney princess characters in live-action remakes of their respective animated films: Lily James (Cinderella), Naomi Scott (Aladdin), and Halle Bailey (The Little Mermaid). While introducing the category, Bailey stated that animated films are "formative experiences as kids who watch them," as James put it, "So many kids watch these movies over and over, over and over again." Scott added: "I see some parents who know exactly what we're talking about."

The remarks sparked controversy and triggered most employees and filmmakers working in the animation industry as infantilizing the medium and perpetuating the stigma that animated works are strictly for children, especially since the industry was credited with sustaining the flow of Hollywood content and revenue during the height of the COVID-19 pandemic. An addition to the controversy was that the award for Best Animated Short Film (the nominees for which were mostly made up of shorts not aimed at children) was one of the eight categories that were omitted in the live broadcast; some speculations suggested that the speech played a role in the decision to not broadcast the award. The winner for the Best Animated Short award was The Windshield Wiper, a multilingual Spanish-American film which is considered adult animated, while another nominee in three categories: Best Animated Feature, Best Documentary Feature Film, and Best International Feature Film, was Flee, a PG-13 rated animated documentary about an Afghan refugee.

Phil Lord, co-producer of one of the nominated films, The Mitchells vs. the Machines, tweeted that it was "super cool to position animation as something that kids watch and adults have to endure." The film's official social media account responded to the joke with an image reading: "Animation is cinema." A week later, Lord and his producing partner Christopher Miller wrote a guest column in Variety criticizing the Academy for the remark and how Hollywood has been treating animation. The column commented that "no one set out to diminish animated films, but it's high time we set out to elevate them." Alberto Mielgo, director of The Windshield Wiper, later gave an acceptance speech for the Oscar: "Animation is an art that includes every single art that you can imagine. Animation for adults is a fact. It's happening. Let's call it cinema. I'm very honored because this is just the beginning of what we can do with animation." They also suggested to the Academy that the category should be presented by filmmakers who respect the art of animation as cinema.

Another factor is that numerous animated films have been made for older audiences or with ranges of PG-13 or more, for those including South Park: Bigger, Longer & Uncut, The Triplets of Belleville, Persepolis, Waltz with Bashir, Chico and Rita, The Wind Rises, Anomalisa, My Life as a Courgette, The Breadwinner, Loving Vincent, Isle of Dogs, I Lost My Body, and Flee. Most of them were nominated in various categories, though none have won until The Boy and the Heron, officially rated PG-13 by the MPA. For the 22-year history since the inauguration, it became the first adult animated film to win the Academy Award for Best Animated Feature at the 96th Academy Awards; all the previous winners were either rated G or PG.

• Arthouse animation
• Independent animation
• Cartoon violence
• Black comedy
• Animation in the United States in the television era
• Modern animation in the United States
• List of adult animated television series
• List of adult animated web series
• List of adult animated feature films
• List of highest-grossing adult animated films

•   Media related to Adult animation at Wiki Commons
• The Brief History of Adult Animation on The A.V. Club