Other sandboxes: Main sandbox | Template sandbox
This article is an exploration of identification from the angle of the screenplay writer. It outlines various manifestations and sub-types of identification, as well as delving into the history of the concept and Freud’s initial theory. This source uses psychanalytic techniques to analyse various literary texts. It delves deeply into identification as a literary technique, specifically as identifying with the hero character as a means to propel the tragedy.
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